Artist Statement

The themes I center my work around are multi-faceted and include conveying my experience as a AFAB trans-masculine person, the relationship to my body, my sometimes menstruating body, my orientation to death, composting and regenerating through transitions, my spiritual energy, my childhood and familial relationships, and I often use writing as a channel to process the themes of what I am articulating in my work. 

Painting, found object sculpture and writing is the primary focus of my art practices and connection is central to my orientation to the world. I am influenced by daydreams of bodies within bodies and worlds within worlds. I see magic in our forms ability to work with energies that are understood and unseen and the potential of our bodies to articulate that information beyond language. Generative energy is succulent in relationship to connection and creation through our material bodies seems infinite in that space.

Curiosity about the things we don’t talk about influences my work as well - the emotional complexities and impact of interpersonal relationships, what it means to struggle in a transactional and consumptive culture and the inherent beauty that exists despite reductive value systems. 

Within my practices I seek to find reprieve from the subtractive nature of performance and our world’s preoccupation with status, consumption and violence. I want my work to challenge me and to antagonize unconscious living. I am looking for a connection to something deeper, a universal truth to feel confronted or comforted by and I hope the viewer sees something recognizable in my work. 

-James Emmett

Artist Bio

James Emmett (he/they) is a multi-disciplinarian trans artist.

James (born 1978) lived and worked in Chicago from 2005 until late December of 2024. He/they co-owned a pet boutique in Chicago’s Northside neighborhood, Andersonville from 2012 to 2020, where in September of 2020 he sold it and pursued his art practice full time. In April of 2022, James began painting, and since, painting and found object sculpture has become his primary focus.

James Emmett, now in his mid 40’s, has long rejected the exclusiveness of pedigree, traditional academic pursuits and conforming to societal standards. A student of life, leaving community college after one month at the age of 19 to pursue lessons outside of the classroom, James continues to grow his proficiencies in the spirit of a little intuition, curiosity, drive, practice, a smidge of google and an occasional online course.

James’ work investigates existentialism, confronts transphobic ideology, and explores the subconscious. Never one to follow the beaten path, James Emmett attempts to queer his/their life in every way and works to antagonize unconscious living.

James Emmett moved to Western Massachusetts in 2025 and stills pursues his full time art practice.